[...] The handluggage of Akrithakis doesn't open by key but by screwdriver. He chose a flame that warms no one save the drifter, the wanderer. For the rest, the sedentary, the mechanism doesn't work.
DIMITRIS T. ANALIS
In1966, I spent several months in the home of Costas Taktsis, in a set-up that helped me believe once and for all that I had to be a painter. Then I went off to Berlin, where I made friends with a number of artists including Remotti, Engelman, Brusse, Armitage, Castillo and others; free and open give-and-take with these people, in the besieged city which is now Berlin, provided the multiple stimuli necessary to an artist of my temperament.
The themes of the suitcase and the handwritten words appearing in this show are simply the enlargement of details from previous works - the purpose being to make them more visible and as a result, better conductors of human communication. They represent the topography of life under an oppressive system, but at the same time a code signal for hope.
Α. Α.
From the text the artist wrote for the catalogue accompanying his solo show at the Zoumboulakis Gallery, 1971.
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