Alexis Akrithakis - A line like a wave
Αλέξης Ακριθάκης - Μια γραμμή κύμα (τίτλος πρωτοτύπου)
Σχεδιαστής: Παλαιολόγου, Λίλα
Επιμέλεια κειμένου: Eleftheriou, Michael || Γαργαρώνη, Μαρία
Κυκλοφορεί
ISBN: 978-960-505-713-8
Άγρα, Αθήνα, 2/2026
1η έκδ. || Νέα || Αγγλική έκδοση
Γλώσσα: Αγγλική
Γλώσσα πρωτοτύπου: Ελληνική, Νέα
Ενιαία τιμή έως 1/8/2027
€ 60.00 (περ. ΦΠΑ 6%)
Βιβλίο, Χαρτόδετο
23 x 28 εκ., 320 σελ.
Περιγραφή
On the occasion of the exhibition “Alexis Akrithakis, A Line Wave,” opening at the Benaki Museum on 12 February 2026, Agra Publications releases the eponymous volume, edited by Chloe Akrithaki and Alexios Papazacharias—an extensive and multifaceted publishing imprint of the work and trajectory of one of the most emblematic artists of contemporary Greek art.

The volume constitutes an autonomous publishing endeavor that allows for an in-depth approach to Alexis Akrithakis’s artistic practice and thought, complementing and expanding the editorial and visual dialogue initiated nearly a year earlier with the publication of the book  Γράφοντας τη ζωγραφική. Ημερολόγια 1960-1990 (Writing the Painting. Diaries 1960–1990).

The edition includes more than 380 works, as well as texts and archival material covering the full spectrum of Akrithakis’s artistic course, also highlighting the distinct political dimension of his work through themes of his time and generation: fascism, the dictatorship, the Cold War, sexual liberation, the Vietnam War, and space exploration. It also features works from his late period, among them portraits of figures he observed during his brief stay at Dromokaiteio Psychiatric Hospital. From his earliest creations to his final works, his oeuvre unfolds across the pages of the volume Alexis Akrithakis – A Line Wave, illuminating the continuous evolution of his line and his multifaceted visual language and practice.

The volume brings together texts by Chloe Akrithaki, Alexios Papazacharias, Denys Zacharopoulos, George-Ikaros Babassakis, Gürsoy Doğtaş, Dionysis Kavvathas, Glykeria Basdeki, Petros Avlides, and Ilias Papailiakis, alongside personal narratives by the artist and those close to him, as well as previously unpublished and republished texts by Dimitris Poulikakos, Dimitris T. Analis, Christos Joachimides, Katerina Kafopoulou, and Dora Iliopoulou-Rogan. From diverse points of departure and perspective, these contributions articulate a polyphonic narrative about the artist and his era, his life and his work. The arrangement of visual and typographic elements by Lila Paleologos—complex yet cohesive—completes a publishing project that is thoroughly kaleidoscopic, distinguished by its pivotal and catalytic polychromy.

[...] The handluggage of Akrithakis doesn't open by key but by screwdriver. He chose a flame that warms no one save the drifter, the wanderer. For the rest, the sedentary, the mechanism doesn't work.

DIMITRIS T. ANALIS

In1966, I spent several months in the home of Costas Taktsis, in a set-up that helped me believe once and for all that I had to be a painter. Then I went off to Berlin, where I made friends with a number of artists including Remotti, Engelman, Brusse, Armitage, Castillo and others; free and open give-and-take with these people, in the besieged city which is now Berlin, provided the multiple stimuli necessary to an artist of my temperament.

The themes of the suitcase and the handwritten words appearing in this show are simply the enlargement of details from previous works - the purpose being to make them more visible and as a result, better conductors of human communication. They represent the topography of life under an oppressive system, but at the same time a code signal for hope. 

Α. Α.

From the text the artist wrote for the catalogue accompanying his solo show at the Zoumboulakis Gallery, 1971. 

Σχετιζόμενα προϊόντα

Add: 2026-02-12 15:01:51 - Upd: 2026-02-12 15:01:51